Two super exciting bits of news about my Shanghai Traces video!
I’m pleased to announce that Shanghai Traces has made the shortlist for YouTube Play, the Guggenheim’s new Biennial for Creative Video. Here’s the full press release. The entire YouTube Play shortlist is on display at http://www.youtube.com/play (keep an eye out for AleaBoy!), as well as at kiosks in the Guggenheim Museums in New York, Berlin, Bilbao, and Venice, through October 21.
I also just realized that I am already at liberty to announce that Shanghai Traces has been selected to be screened at Seattle’s e4c Gallery early next year! Check out their announcement. I’m going to adapt the piece to run across four monitors at 4Culture’s innovative downtown storefront gallery for digital art, and once it’s up, it will be in rotation for a full year! I’m also planning some Seattle performances around that time; when it’s all nailed down, you’ll be the first to know.
Here’s the video in question:
(Read more about the genesis of Shanghai Traces here.)
The Guggenheim says they received over 23,000 entries from 91 countries for YouTube Play, which they eventually narrowed down to 125 for the shortlist (and, yes, they promise they watched them all). For more info, be sure to check out YouTube Play’s companion blog The Take.
The next step is adjudication by a celebrity panel comprised of Laurie Anderson (a longtime hero of mine), Animal Collective, Darren Aronofsky (I hope he digs up my glowing twitter review of The Fountain from a year or two ago), Douglas Gordon, Ryan McGinley (whose work I just saw at UCCA in Beijing a few months ago), Marilyn Minter, Takashi Murakami, Shirin Neshat, Stefan Sagmeister, Apichatpong Weerasethakul (who film Uncle Boonmee Who Can Recall His Past Lives just won the Palme d’Or at Cannes; can’t wait to see it!), and Nancy Spector from the Guggenheim. The jury will select up to 20 of their faves to be presented at a special event at the Guggenheim New York on Oct. 21.
I’m particularly stoked about the prospect of Laurie Anderson spending a few minutes getting to know my work, after all the time I’ve spent getting to know hers. I attribute her, in a roundabout way, to connecting in my brain the world of classical music that I was studying in college with the world of pop music to which I’d been listening (and which I’d been writing) growing up. She was also the reason for my only visit to New York so far, to catch Songs and Stories from Moby Dick at BAM in 1999. Though I wonder how she’s going to find time for all this adjudication with her new performance piece in full swing.
Anyway, wish me luck!
And of course any day now Shanghai Traces should be up at Glamour Bar on Shanghai’s historic riverfront. Since they wanted to show it on a big 42” screen, I obligingly created a high resolution version of the piece, which you can view below (click the four arrows icon in the lower right corner to go full screen).